Leslie Uggams' Eclectic Musical Taste: From Nat King Cole to Billie Eilish

Leslie Uggams' Eclectic Musical Taste: From Nat King Cole to Billie Eilish
22 July 2024 11 Comments Koketso Mashika

Leslie Uggams' Diverse Musical Palette Stretches Beyond Generations

Leslie Uggams, the acclaimed actress known for her charismatic screen presence and vocal talents, has recently been spotlighted by The New York Times for her intriguingly eclectic music tastes. At first glance, one might not imagine a connection between the soulful, smooth melodies of Nat King Cole and the edgy, contemporary beats of Billie Eilish. However, for Uggams, these artists represent the spectrum of her profound appreciation for music across different eras and genres.

From Classic Melodies to Modern Beats

Uggams' musical journey is as variegated as her acting career. She grew up surrounded by music, a daughter in a Harlem home filled with the sounds of jazz, soul, and blues. Nat King Cole, known for his velvety voice that transcended racial barriers, was a staple in the Uggams household. "His music was always there, like a warm blanket on a cold day," Uggams reflects. As she navigated her career from stage to television and film, the comforting familiarity of Cole's music provided a backdrop to her professional accomplishments.

But Uggams' appreciation for music did not halt at the classics. Enter Billie Eilish, the Gen Z pop sensation known for her whispery vocals and introspective lyrics. While Eilish might seem worlds apart from Cole, Uggams finds a spiritual connection in her music. "There's a raw, honest quality in Billie's songs that reminds me of how music should touch the soul," she remarks. Indeed, Eilish's unfiltered expression coupled with avant-garde production resonates with Uggams, who values authenticity in performance.

Continuing a Storied Career

Music is one facet of Leslie Uggams' multifaceted career, one that continues to evolve with remarkable consistency. Her current work in the TV series 'Fallout' and the much-anticipated movie 'Deadpool & Wolverine' illustrates her staying power in the entertainment industry. Uggams' fans eagerly await her appearances alongside some of today's biggest stars, further cementing her legacy in Hollywood.

In 'Fallout,' a series adapted from the popular video game franchise, Uggams brings her depth and nuance to a post-apocalyptic setting, adding gravitas to the otherwise sci-fi narrative. Her role in 'Deadpool & Wolverine' brings her back to familiar territory, reprising her character Blind Al. Working alongside Ryan Reynolds and Hugh Jackman, Uggams brings her unique blend of humor and warmth to the film, promising audiences a memorable experience.

A Reflection of Musical and Personal Growth

Uggams' taste in music reflects her journey as an artist and as a person. It reveals an openness to exploring new creative territories and a reverence for those who paved the way before her. "Music is a universal language," Uggams believes, "and it's something that always finds a way into your heart, no matter where you are in life." Whether it's the timeless crooning of Nat King Cole or the innovative strains of Billie Eilish, Uggams' playlist is a testament to her eclectic and inclusive outlook on life and art.

As she continues to break new ground and captivate audiences with her talents, Leslie Uggams remains a shining example of how one can bridge the gap between past and present, honoring tradition while embracing innovation. Her story is not just one of musical diversity but also of enduring relevance in an ever-changing industry.

The New York Times' feature on Uggams offers a glimpse into her world, highlighting not just her professional achievements but also her personal passions. It's a reminder that behind every great performer is a reservoir of influences that shape their work and their worldview. Leslie Uggams stands as a beacon of this intricate interplay between heritage and modernity, continuing to inspire through her diverse artistic and musical tastes.

11 Comments

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    Danica Tamura

    July 22, 2024 AT 08:36
    Uggams? Please. She's just another old Hollywood relic clinging to relevance by name-dropping Gen Z artists like some kind of cultural tourist. Nat King Cole? Sure. But Billie Eilish? That's not music, it's a cry for help in a sound file. She's not 'connecting' with it-she's just doing PR.
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    William H

    July 22, 2024 AT 12:52
    You think this is just about music? Nah. This is a psyop. The NYT is pushing this 'eclectic taste' narrative to normalize generational collapse. Billie Eilish? Her producer is funded by the same entities that controlled the jazz industry in the 50s. Uggams is being used as a puppet to make modern music seem 'legitimate' by linking it to Black legends. Wake up.
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    Katelyn Tamilio

    July 22, 2024 AT 22:17
    I love this so much 🥹 Honestly, music shouldn't have borders-especially not age ones. Uggams gets it: it's not about what's old or new, it's about what moves you. I've got my grandma's vinyls next to my AirPods playing Grimes. It's beautiful when you let art breathe like that. 🌈🎶
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    Michael Klamm

    July 23, 2024 AT 21:35
    fr tho i didnt even know she was still alive lmao but if she likes billie then she cool idk why everyone is making this a thing its just music lol
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    Shirley Kaufman

    July 24, 2024 AT 10:06
    This is such a beautiful example of how art transcends time. Leslie Uggams didn't just grow up with Nat King Cole-she learned from him. And now, she's showing younger generations how to listen with heart, not just ears. If you can hear the vulnerability in Billie’s whispers and the grace in Cole’s croons, you’re not just listening-you're evolving. Keep going, Leslie. You're a living bridge.
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    christian lassen

    July 24, 2024 AT 19:40
    i read this article and i just thought... wow. she's still acting? i thought she retired after that 90s show. also billie eilish is kinda weird but i guess if it makes her happy?
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    Jack Fiore

    July 24, 2024 AT 19:46
    You know, it's interesting how people romanticize 'authenticity' in modern artists. The truth is, Billie Eilish's entire aesthetic is manufactured-her whispery vocals are a production technique, not a revelation. Nat King Cole was a genius who broke barriers with pure talent. Uggams is mistaking trendiness for depth. I've studied this. I've done the research.
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    Antony Delagarza

    July 25, 2024 AT 01:29
    This is a distraction. Why is the NYT spending space on some 70-year-old actress listening to pop? They're trying to distract from the real cultural decay. Billie Eilish's music is programmed by AI algorithms designed to appeal to emotionally broken teens. Uggams is being used as a pawn to make this seem 'respectable'. This isn't music appreciation-it's brainwashing.
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    Murray Hill

    July 25, 2024 AT 04:37
    I think it's simple really. Music is like a river. It flows from one place to another. Nat King Cole? That was a big wave. Billie Eilish? A new current. Leslie just lets it all pass through her. No need to pick sides. Just feel it. That's what matters.
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    Bruce Wallwin

    July 25, 2024 AT 06:17
    This is absurd.
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    Letetia Mullenix

    July 25, 2024 AT 19:25
    i just wanted to say... i think its sweet that she still listens to music that makes her feel something. even if its not what we think 'should' be cool. sometimes that's all that matters.

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